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Category Archives: R.I.P.

Roger Ebert 1942-2013

04 Thursday Apr 2013

Posted by Angie in R.I.P.

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Roger Ebert, Sneak Previews

I am so sad about this. I started watching “Sneak Previews,” in the late 70’s on my PBS station in Anchorage, AK. There is shit to do up there folks, especially if you were an arty introverted type like myself. And this was the late 70’s/Early 80’s! Meaning no cable TV, no computers, no VCR’s. Nothing but books, board games and movies if you wanted to stay inside. That show and Elsa Klensch’s CNN fashion show saved my friggin’ life. A taste of art and culture that sustained my appetite till I could make my escape.

Not only could I take a peek at all the new movies (the arty ones did not make it up to Anchorage), I got to listen to a heated debate pro or con on the film’s merits or missteps. It lit a fire in me to seek out different films, foreign films, independent films. It opened me up to the dimensions of film, what characters really were, the importance of directors, the craft of great writing. This set the stage for me deciding to go to film school and abandoning a more financially stable path, much to the chagrin of my immigrant Korean parents. So yeah, my parents can blame Roger Ebert for me not being a lawyer.

I followed Siskel and Ebert to their syndicated show, “At the Movies,” hanging on their every word, and starting to agree or vehemently disagree with them. I was more of an Ebert gal. Gene Siskel didn’t have the credentials I required if one is to be so full of himself. You could tell Ebert was a great writer. He was awarded a 1975 Pulitzer for criticism. You also could tell he was smarter than Gene, and that’s why Gene was such a dick. Most film criticism involved summarizing the plot, but Ebert made reviewing a movie like reviewing a book or a play or any other piece of serious art. He elevated being a film fan from something passive to something active.

He succumbed to cancer, but fought valiantly, and served as an inspiration to all of us.

roger ebert

RIP Mr. Ebert. Photo latimesblog.latimes.com.

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RIP Tony Scott

20 Monday Aug 2012

Posted by Angie in R.I.P.

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Ridley Scott, The Hunger, Tony Scott, Top Gun

What a shock. I woke up this morning to hear that Tony Scott leaped to his death off the Vincent Thomas Bridge in San Pedro.  It reminded me about Leslie Cheung’s death (he too, leaped to his death, but off the Mandarian Oriental Hotel in HK.) and how shocking that was.  He was still producing hit TV shows and films, still directing his fast-paced action films.  It begs the question, why?  Why would someone with still so much to offer, consciously, deliberately, kill himself?  We can’t assume anything at this point.  We can only remember what he left behind.

He gained a Hollywood calling card with “The Hunger,” and blasted onto the A list, with “Top Gun.”  Both films were sexy and stylish.  He has been criticized throughout his career for choosing style over substance, but hey, he was the director, not the writer, so for me, he tried to make the material look as good as possible.

Him and his brother Ridley, were some of the first feature directors to come from the world of commercials.  That is oh-so common nowdays, Rupert Sanders (“Snow White and the Huntsman”) a recent example.  Their stuff was so graphic and sexy, it perfectly fit the 80’s look.

A lot is being made about the brothers relationship, and how he never got the respect Ridley gets, but who really knows how much that factors into all of this.  Since he’s producing partners with is brother, I’m sure their relationship is peachy keen.  As for not getting as much respect… There are many “respected” filmmakers who are living off chips and salsa, right now, envying a fat paycheck.  I’m sure Tony was OK with being a good, if not great director.  Even if he didn’t have Ridley’s caché, he certainly influenced a whole generation of testosterone-filled, amped up action directors.

Smoke and shafts of light. A Tony Scott trademark.

One hot shot, a muscle jet, and American flag draped in the background. Over the top? Why not, it’s a Tony Scott film. How big was this movie? Wingman, need for speed, is still peppered in everyday conversation.

He was 68. Photo: Gus Ruelas, AP.

 

 

 

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Nora Ephron RIP

27 Wednesday Jun 2012

Posted by Angie in R.I.P.

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Nora Ephron, When Harry Met Sally...

Boy, I was pretty surprised by this.  I saw her on Bill Maher’s “Real Time,” a couple of years ago and you would’ve never guessed she would be gone so soon.  She was one of the few successful female writer directors.  No niche, indie films, these were humongous, big bat swinging, box office hits, “When Harry Met Sally,” “Sleepless in Seattle” (I actually worked on that film!), “Julie and Julia.”

The classic rom-com, “When Harry Met Sally.” This set the bar for which all others are measured.

She did it with brains and wit.  She wasn’t some comely beauty that batted her eyes  into that position.  She was married to Carl Bernstein (of Woodward and Bernstein) and helped him do a draft of “All The Presidents Men.”  Their draft didn’t make the cut, but the powers that be took notice.  She learn to write screenplays, and write them well enough that she could leverage that into directing gigs that performed spectacularly- worldwide, not just here.

Nora, we will miss you.

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Eiko Ishioka RIP

27 Friday Jan 2012

Posted by Angie in R.I.P.

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Cirque du Soleil, Dracula, Eiko Ishioka, Green Goblin

Eiko Ishioka died last Saturday, January 21st, in Tokyo, Japan.  The world has lost a great visual artist.  She broke many boundaries by just being the best at what she does.  She rose to the top in graphic design, heading her own firm in Japan, a rarity in the 70’s.  She channeled her visual style to costume and production design.  She even melded form and function to design multiple Olympic teams uniforms and outerwear.

What I admire most about her is her challenging herself to try other genres.  She was very successful doing graphic design.  It must’ve been very lucrative, too.  But I’m sure she wanted to keep growing as an artist, to keep adding to her skills.  It took an awful lot of hard work and courage for her to branch out and learn new disciplines.  But she did, and she excelled.  From the costumes in her Academy award-winning turn in “Bram Stoker’s Dracula,” to Broadway’s Spiderman, to Cirque du Soleil, she always shocks us with her fearless ability to push the boundaries of our expectations.

She said the fanning skin of a lizard inspired this collar. "Bram Stoker's Dracula."

The Green Goblin in Broadway's Spiderman: Turn Off the Dark.

Cirque du Soleil: Varekai.

Her last costume design gig was for Tarsem Singh’s “Mirror, Mirror.”  It should be a visual feast.  Sadly, her last gift to us.

Eiko Ishioka, 1939-2012

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Eve Arnold RIP

09 Monday Jan 2012

Posted by Angie in R.I.P.

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Anna Karina, Anthony Quinn, Eve Arnold, Magnum Photo, Marilyn Monroe, Marlene Dietrich, Mongolia

I first saw her work as a child.  She was behind the lens for my favorite National Geographic photo.  I think it stuck with me because it wasn’t some peasant woman squatting in a rice paddy, the common rural Asian woman shot.  This was a young woman, probably not that much older than I at the time, training horses for the Mongolian militia.  She is serene, focused, and in total control of this animal easily over 800 lbs.  The lush field with wildflowers was vaguely reminiscent of Alaska in the summer, so I could see myself as her, if I were born in Mongolia.

I still remember this photo, from 30 (!) years ago. From Guardian UK, Magnum Photos.

She’s one the first women the Magnum Photography Agency signed.  She’s known for her naturalistic photos of celebs on-set.  Marilyn was a fave, and subject of two books.  She also did reportage in far flung places such as South Africa and China.

Marilyn Monroe 1955. Guardian UK, Magnum Photos.

Marilyn Monroe, Long Island 1955. Guardian UK, Magnum Photos.

Anthony Quinn and Anna Karina on-set of "The Magnus," 1976. Guardian UK, Magnum Photo.

She really captures Marlene in the photo below.  The graphic quality of black and white.  The blonde hair, the leg, the black dress.  One of those people who you needn’t see their face and still know it’s them.

Marlene Dietrich, 1952. Guardian UK, Magnum Photos.

Eve Arnold, died Wednesday, January 4th. She was 99.

 

 

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Francois Lesage, 1929-2011

09 Friday Dec 2011

Posted by Angie in R.I.P.

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embroidery, Francois Lesage, Haute couture

Even in France, the handmade couture arts are dying.  Francois Lesage was born into the Maison Lesage embroidery atelier.  This was, is, the creme de la creme of embroiderers who worked for the top couturiers, from Vionnet to Dior and Lagerfeld at Chanel.  It was purchased by the House of Chanel in 2002 as a way of guaranteeing the survival of this art form as other artisans, button makers, milliners, etc., were shuttering their doors.

He also spent time in Los Angeles doing costume design work for clients like Marlene Dietrich.  He moved back to Paris in 1949 after the death of his father to take over Maison Lesage.  He even set up an embroidery school next to its headquarters to pass on the trade.

The company plans to keep Maison Lesage operating.  Let’s hope that these art forms don’t become extinct.

AFPTV still from YouTube. Look at the beading and embroidery on this coat. This shit is done by hand, skilled hands. Every bead and stitch, BY HAND. They're amazing.

YouTube link to Lesage videos.

http://www.youtube.com/watch?v=CIkV0XW8rYU

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Polly Platt

23 Wednesday Nov 2011

Posted by Angie in R.I.P.

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Last Picture Show, Paper Moon, Polly Platt, Tatum O'Neal

The Academy just had a reunion of the cast from “The Last Picture Show,” and it reminded me that I haven’t mentioned her yet.  And shame on me.

Polly Platt was a multi-hyphenate before that was common.  She wore many hats exceedingly well.  She started out as a costume designer, but she had talent to spare.  She wrote screenplays, “Pretty Baby,” was a production designer, “Last Picture Show,” “Paper Moon,” was an art director, “Terms of Endearment,” and a producer “Broadcast News.”  Doing all that at such a high level is rare.  Rarer still, is the fact she was doing all this in the late 60’s – 80’s when women in these jobs were scarce.

Polly convinced Bogdonavich that the novel, The Last Picture Show would make a great film.  Even suggesting to shoot it like a European observing America.

Timothy Bottoms, Jeff Bridges.  Columbia Pictures, 1971.

She suggested casting Cybil Shepard (which made Shepard a star and Polly divorced.)  She suggested moving the plot for “Paper Moon,” to the Kansas dust bowl and casting Tatum O’Neal (for which Tatum won an Oscar at age 10, youngest ever.)

As an executive VP at Gracie Films, she showed producer James L. Brooks Matt Groening’s comic strip Life in Hell and brought him in to develop something for the Tracey Ullman show.  That became “The Simpsons,” which is in its 23rd (!!!) season.  It’s not just her exquisite taste, but she really had a sixth sense for what would work.

http://www.imdb.com/name/nm0686895/

January 29, 1939 – July 27, 2011

A pioneer, a gutsy visionary, and a nurturing mentor.  A woman after my own heart.  When I grow up, I wanna be Polly Platt.

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Bonnie and Clyde

10 Thursday Nov 2011

Posted by Angie in 1930's, R.I.P., Women

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Arthur Penn, Bonnie & Clyde, Faye Dunaway, Theadora Van Runkle

Theadora Van Runkle, passed away on Friday November 4th.  She worked on many memorable films like “Bullitt,” and “Godfather II,” but is widely remembered for her work on “Bonnie and Clyde.”

This film is a constant source of inspiration for designers.  Directed by Arthur Penn in 1967, it tells the tale of Bonnie Parker and Clyde Barrow‘s crime spree in the early 30’s.  America was deep in the Great Depression and pissed off at bankers.  Hmmm… Sounds familiar.

Theadora Van Runkle‘s costume design for star Faye Dunaway is timeless, and casually elegant.  It can be adapted for both spring and fall collections, just change the weight of the knits and wovens.

Theadora's costumes give Bonnie a softness and sophistication in contrast to her "hillbilly" confidants, and symbolizes her yearning for more than her current existence provides.

Theadora's use of berets actually come from Bonnie Parker, but she styles them a little differently and that makes a world of difference.

Bonnie's looks hand knitted and is worn past the crown of the head.

Dunaway's is a finer gauge knit and is worn to the hairline. Big difference. Notice, the deep V-neckline and the open weave detail all point to her GUN. She's definitely not that innocent anymore.

Here's a better detail of the sweater and scarf. I think this most of all, captures the allure of Theadora's work. It's easy, something we can do; a beret angled just-so, a printed silk scarf worn unexpectedly, and a fitted short-sleeved sweater. But it looks so cool. Image mptv.com

Again, beret + deep V-neck (this time with a great print) = cool.

And wasn't Faye Dunway just gorgeous at this age? Image mptv.com.

Bonnie visits her mother for the very last time. Penn shot this with a filter and instantly gives it a worn photograph look, like whatever happiness she's feeling now, is already a memory in a photo, never to be experienced again.

And Warren’s pretty cute too, but Theadora’s clothes are what endure in my mind.

Related articles

  • Theadora Van Runkle, Costume Designer, Dies at 83 (nytimes.com)

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Elizabeth Taylor RIP

15 Saturday Oct 2011

Posted by Angie in R.I.P., stuff to see, Women

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Butterfiled 8, Cat on a Hot Tin Roof, Elia Kazan, Elizabeth Taylor, George Stevens, Giant, James Dean, Krupp diamond, Montgomery Clift, Pacific Design Center, Paul Newman, Richard Brooks, Suddenly Last Summer, Tennessee Williams

If you’re in LA, you can view her memorabilia, which includes gorgeous one-of-a-kind gowns, and her eye-popping jewelry collection, at the Pacific Design Center through Oct. 16th.  Items will go on auction in New York in December.

http://www.latimes.com/entertainment/news/la-et-liz-auction-20111003,0,1683302.story

Elizabeth Taylor necklace earrings bracelet

Goddess.  She glows, even in black and white.

Krupp diamond

Wow!  It’s like an infinity mirror.  33 carat Krupp diamond.

Her couture gowns and jewelry were bought and paid for.  Not like today’s here-today-gone-tomorrow starlets.  SNAP!  She passed away on March 23, 2011, at 79, but her memory and image live on.

Elizabeth Taylor James Dean Giant

These are legends, not movie stars.  James Dean and Elizabeth Taylor on the set of “Giant,” directed by George Stevens in 1956.

Here are some of her most memorable looks.

“Cat on a Hot Tin Roof,” directed by Richard Brooks, 1958, explores the rocky marriage of Brick, Paul Newman, and Maggie, Elizabeth Taylor.

Elizabeth Taylor Paul Newman Cat on a Hot Tin Roof

With Paul Newman in this now famous slip.

Elizabeth Taylor Paul Newman Cat on a Hot Tin Roof

Was there ever a more gorgeous screen couple?

Elizabeth Taylor white dress Cat on a Hot Tin Roof

Not that she needs help with figure flattering cuts, but this silhouette is so stunning on her, emphasizing her natural and ample bosom and tiny waist.

“Suddenly, Last Summer,” the creepy, Southern Gothic-like mystery, has the wonderfully patrician Katherine Hepburn breathing life into Tennessee Williams’s words, flitting around like a ghost haunting her home and haunted by the death of her son, Sebastian.  Her sea turtle monologue rivals Natalie Woods’s, “I’m a good girl Mama!” monologue, from “Splendor in the Grass” for best crazy lady monologue.  Directed by Joseph L. Mankiewicz in 1959, Liz does a great crazy lady, too.

Elizabeth Taylor Suddenly Las Summer black dress

This could’ve been plucked from Victoria Beckham’s collection. Still very modern and flattering.

Elizabeth Taylor Suddenly Las Summer white swimsuit Montgomery Clift

This daring white, keyhole, one piece became an iconic swimsuit.

Elizabeth Taylor Suddenly Las Summer white swimsuit

Here it is in color. mptvimages.com

In “Butterfield 8,” she plays Gloria Wandrous, a sometimes actress/call girl trying to go legit, directed by Daniel Mann, 1960.  What’s striking about her performance is her vulnerability layered with world weariness and optimism.

Elizabeth Taylor Butterfield 8 slip

Another memorable slip. She was petite but perfectly proportioned.

Elizabeth Taylor Butterfield 8 black dress pearls

As Gloria she was the lust object looking for love, dignity, and respect in all the wrong places.

That’s just a taste. She has so many! RIP Elizabeth.

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FAVES, no particular order

Directed by James Ivory, Costume Design Jenny Beavan, 1985

Directed by Jack Clayton, Costume Design Theoni V. Aldredge, 1974

Directed by Sally Potter, Costume Design Sandy Powell, 1992

Direct by Arthur Penn, Costume Design Theadora Van Runkle, 1967

Directed by Iain Softley, Costume Design Sandy Powell, 1997

Directed by Wong Kar Wai, Costume Design William Chang, 2000

Directed by Paul Thomas Anderson, Costume Design Mark Bridges, 2007

Directed by Cary Joji Fukanaga, Costume Design Michael O'Connor 2011

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