Back with a vengeance

Took more time off from the blog for the summer than planned but I’m back in movie viewing/screen-capturing/clothes-envying mode.  How was your summer?  Is it just me, or are you dying for a cold blustery day so you can snuggle up in a wool fisherman’s sweater and nurse a pot au chocolat?  The summer was way too hot and humid for me.  I tend to wilt and complain when it’s above 75 with the slightest bit of moisture.

Speaking of vengeance and movies…  It’s the day after September 11th, always a somber one, and then we hear of the shocking murders in Libya.  Some wack job makes a horrible “film” that is clearly made to be incendiary and offensive to Muslims, and SURPRISE, it’s inflamed the Arab world and four Americans have been killed in retaliation.  The blame squarely lands of the people who committed these acts, but the filmmaker has shown a callous disregard to the possible and obvious outcome of making that film.  I don’t begrudge him his first amendment rights, but come on, let’s use some common sense.  The same reason you don’t yell FIRE! in a crowded theater.

But now, you can yell GUN!  I didn’t have time to post about the Aurora, Colorado shootings, and then the Olympics swept into town and all media coverage followed, so the shootings receded into the background for me.  I took the little guy to see, “Brave,” and had fun watching the trailers with him.  Then a card came up to instruct people to be aware of the exits in case of an emergency.  I held my little one a little tighter, reminded of the fact that all those people were in that theater doing the exact same thing as me.  We go to the movies to take refuge from life.  If it’s too hot, or cold, or rainy, or if you need a good laugh, or you want a good cry, it’s a place we all go.  Up until that point it was a safe haven.

I don’t have a clever quote to wrap things up.  I tried but they all sounded trite.  My heart goes out to the families of the victims in both Benghazi and Aurora.

The September Issue

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It’s heeeee-re.  And it’s a monster.  If you haven’t heard already, 4.5 lbs, or 916 pages.  Whoa.  USPS, I feel for you, brothers and sisters.

This is THE issue we all wait for all year.  But strangely enough it’s always the same, just different models.  Plaid, black, wools, leathers.  But who cares.  It’s a big-’ol fantasy picture book.  And we love it.

Lady Gaga September Vogue 2012

Lady Gaga September Vogue 2012.

If you haven’t seen the doc, “The September Issue,” please do.  You can stream it on Netflix.  It shows the behind-the-scenes workings of putting this behemoth together.  Although short on hair-pulling confrontations, there is some creative tension that bubbles up in the form of eye rolls and general passive-aggressive sighs.

The September Issue documentary

The September Issue documentary, directed by R.J. Cutler.

RIP Tony Scott

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What a shock. I woke up this morning to hear that Tony Scott leaped to his death off the Vincent Thomas Bridge in San Pedro.  It reminded me about Leslie Cheung’s death (he too, leaped to his death, but off the Mandarian Oriental Hotel in HK.) and how shocking that was.  He was still producing hit TV shows and films, still directing his fast-paced action films.  It begs the question, why?  Why would someone with still so much to offer, consciously, deliberately, kill himself?  We can’t assume anything at this point.  We can only remember what he left behind.

He gained a Hollywood calling card with “The Hunger,” and blasted onto the A list, with “Top Gun.”  Both films were sexy and stylish.  He has been criticized throughout his career for choosing style over substance, but hey, he was the director, not the writer, so for me, he tried to make the material look as good as possible.

Him and his brother Ridley, were some of the first feature directors to come from the world of commercials.  That is oh-so common nowdays, Rupert Sanders (“Snow White and the Huntsman”) a recent example.  Their stuff was so graphic and sexy, it perfectly fit the 80′s look.

A lot is being made about the brothers relationship, and how he never got the respect Ridley gets, but who really knows how much that factors into all of this.  Since he’s producing partners with is brother, I’m sure their relationship is peachy keen.  As for not getting as much respect… There are many “respected” filmmakers who are living off chips and salsa, right now, envying a fat paycheck.  I’m sure Tony was OK with being a good, if not great director.  Even if he didn’t have Ridley’s caché, he certainly influenced a whole generation of testosterone-filled, amped up action directors.

Smoke and shafts of light. A Tony Scott trademark.

One hot shot, a muscle jet, and American flag draped in the background. Over the top? Why not, it’s a Tony Scott film. How big was this movie? Wingman, need for speed, is still peppered in everyday conversation.

He was 68. Photo: Gus Ruelas, AP.

 

 

 

Contempt

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Jean-Luc Godard’s, “Contempt,” 1963, features the ever-gorgeous Brigitte Bardot and Michel Piccoli, as Camille and Paul Javal.  Paul is rewriting a film adaptation of Homer’s, The Odyssey, for producer Jeremy Prokosch, Jack Palance, and directed by none other than Fritz Lang (playing himself).  Paul sells out his writer’s integrity by trying to make it more commercial and his wife’s affection by basically handing her to Prokosch.

Ok, this has nothing to do with fashion, but isn’t Fritz’s monocle gangsta? Fritz Lang.

Here’s Paul saying, “No, you ride with him, I’ll take a cab.”  You can figure out the rest. Love Brigitte’s super wide headband. Brigitte Bardot, Michel Piccoli, and Jack Palance in the car.

Camille practices being a seductress. Playful or is it Godard’s comment on how easily we are seduced by her? Brigitte Bardot.

Pouty, sexy Brigitte Bardot.

A cute shot of her in a hat. Brigitte Bardot.

Here she is looking soooo different in a black wig. Brigitte Bardot.

On a trip to Capri Paul tells Camille to go on without him, again. Really? It’s sun-dappled Capri, your wife looks like Brigitte Bardot and you’re telling her to go have fun with another guy?

I love the full skirt with the pink pullover, demure, but on her, super sexy. Brigitte Bardot.

I’ve read that Bardot’s hair is the most referenced hair by uber hair stylists. The long bangs (fringe), volume on top, long, thick, somewhat bedroom tousled, is pretty much seen every season and in countless editorial shoots.

Brigitte Bardot.

Camille leaves Paul for Prokosch (Jack Palance?) Only in the movies.  Let’s just say it ends badly.

Brigitte Bardot and Jack Palance.

Film poster. From IMDB.

Vivre sa Vie

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Jean-Luc Godard’s ,”Vivre Sa Vie,” 1962, Anna Karina, plays Nana, a down-on-her-luck aspiring actress who falls prey to the dangers of prostitution: moral, psychological, and physical turmoil.

Could be a Chanel ad if it were not so melancholy. Anna Karina.

Her bob and black and white outfits remind one of Uma Thurman’s Mia character in “Pulp Fiction.” Anna Karina.

The prim ruffled shirt, cardigan and skirt belie her new profession. Anna Karina.

Anna Karina.

The fur-trimmed coat is lovely. Anna Karina.

Choosing to shoot in black and white adds to the starkness of Nana’s reality.  At once, she looks innocent and deeply repentant.  Anna Karina.

Jean-Luc Godard, 1962.

A Woman is a Woman

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Jean-Luc Godard’s “A Woman is a Woman,” 1961, is his surprisingly light-hearted stab at romantic comedy/musical, but also trying to simultaneously subvert the genre.  Strippers having babies out of wedlock aren’t exactly subjects of bouncy Hollywood musicals.

Angela, his real-life wife Anna Karina, is a stripper who wants to have a baby.  Her boyfriend Emile doesn’t, but ridiculously suggests that she uses his friend Alfred, JP Belmondo, do the job.

Don’t know if it’s a “Singing in the Rain” reference with the umbrella (since it’s not raining), regardless it’s a nice pop of color. Anna Karina.

The white trench, black gloves, and red updo, tough and unexpectedly chic. Anna Karina.

Love that she has red tights, too.

She changes into her stripper costume. Anna Karina.

She does a little song. Anna Karina.

I love the thought of the sailor top as a jacket thrown over something super femme like this bustier. Anna Karina.

Her hair and makeup are super sweet. Anna Karina.

“A Woman is a Woman,” poster. Jean-Luc Godard.

James Bond Exhibition

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For all you vacationing fashionéastes on a jaunt through Europe this summer, check out The Barbican Centre’s “50 Years of James Bond Style,” in London.  What pops into your mind when you think of Bond, James Bond?  Girls, gadgets, guns, and of course, sharp suits.

They have everything from sets, to props, to costumes.  Connery’s Savile Row tuxes, Brosnan’s Brioni suits, to Craig’s isty bitsy swim trunks.  They even made a life-size Jill Masterson, covered in deadly gold paint.

Yes, Pussy Galore is in this one. Subtle, non?

http://www.barbican.org.uk/bond/#info-tab

 

Anna Karenina

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With the success of their, “Mad Men,” inspired collection, Banana Republic brought on Jacqueline Durran, costume designer for the upcoming, “Anna Karenina,” to design a capsule collection for Holiday 2012.

The designs will feature 19th century, Russian touches for both apparel and accessories, for men and women. The film once again pairs director Joe Wright with Keira Knightley.  Are you dying!!!  I LOVED his version of P&P.  I hope they go bold.  I read there will be velvet, faux fur, and lace.  Sounds perfect for Holiday.  Great choice Banana.

So retail is FINALLY (!) timing collections with the release of the movies by which it’s inspired.  FINALLY.  Before a movie would come out, designers would swoon, and you’d see the influence six months to a year later.  Now they’re doing strategic partnerships that give valuable PR to the films and the retail establishment since films are promoted many months ahead of its release date.

I want that hat!  And that aubergine skirt color offset by the white and gray fur, love it!  It looks like a painting.

So much fun you can have designing the costume jewelry from this era.

They better have some great wool coats, nipped in at the waist, and leather gloves.  It looks FANTASTIC!  It’s one of my favorite books, and I can’t wait.

Check out the trailer:

http://focusfeatures.com/video/anna_karenina_trailer

Advanced Style by Ari Seth Cohen

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Ari Seth Cohen turned his blog into a book. He has a thing for older ladies, albeit, stylish ones. And gents too. They can be eccentric or classic, just as long as they are expressing their own individuality.

I love one of the ladies’ quotes, “If everyone is wearing it, then it’s not for me.” Take that H&M! In a world of fast fashion, youth obsessed culture, it’s nice to see older folks with a wink and smile in their creative ensembles. We will all be this old one day, if we’re lucky. We can still march to the beat of our own drummer, in Red Wings or wing tips, you decide.

Who needs a stylist when you’re stylish? (Should be on a t-shirt, or at least a coffee mug.)

http://advancedstyle.blogspot.com/

Nora Ephron RIP

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Boy, I was pretty surprised by this.  I saw her on Bill Maher’s “Real Time,” a couple of years ago and you would’ve never guessed she would be gone so soon.  She was one of the few successful female writer directors.  No niche, indie films, these were humongous, big bat swinging, box office hits, “When Harry Met Sally,” “Sleepless in Seattle” (I actually worked on that film!), “Julie and Julia.”

The classic rom-com, “When Harry Met Sally.” This set the bar for which all others are measured.

She did it with brains and wit.  She wasn’t some comely beauty that batted her eyes  into that position.  She was married to Carl Bernstein (of Woodward and Bernstein) and helped him do a draft of “All The Presidents Men.”  Their draft didn’t make the cut, but the powers that be took notice.  She learn to write screenplays, and write them well enough that she could leverage that into directing gigs that performed spectacularly- worldwide, not just here.

Nora, we will miss you.

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